Download Ebook Charlie Parker Omnibook for All Bass Clef Instruments, by Charlie Parker
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Charlie Parker Omnibook for All Bass Clef Instruments, by Charlie Parker
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- Sales Rank: #13355371 in Books
- Published on: 1978
- Binding: Paperback
Most helpful customer reviews
0 of 0 people found the following review helpful.
Man the Bird could play
By E. West
This book really helps you appreciate what a master of jazz Charlie Parker really was. Seeing all of these solos with the chord changes right above sometimes makes you wonder "How did he think to do that?"
I like using this book for sight reading practice and a little bit of analysis afterwards. I read through the solos veeeery slowly (did I mention he's ridiculous?) and then look over the parts that I thought sounded pretty cool to see what he was doing. If you're a trombone player don't be intimidated that he had buttons to press very rapidly, just buy the book and play some great jazz, even if you're playing at 1/3 the tempo.
I highly recommend this book for anyone interested in improvising or just reading jazz. Especially trombone players.
0 of 1 people found the following review helpful.
Parker for Trombone
By Leon T. Butler
The book is an awesome transcription of Charlie Parker and his amazing solo and style. It is very accurate. It's a great way to enhance your improvisation library. The only problem that I had, was that the music is written down an octave than sounded by Charlie Parker. Obviously the tenor sax plays in a higher range. It's not really a problem, but you have to play an octave higher along with the recordings to try and match the timbre of the instruments. I guess it saves you from reading ledger lines or tener clef. Anyway, great book for a great price.
2 of 2 people found the following review helpful.
A must have for a jazz vocab.
By NreeK el Bastardos
First off, I have to correct funkybass4ever "baynzer66" 's review as he/she has commented that all transcriptions are in the key of C. This is incorrect and misleading. However all transcriptions are devoid of key signatures which is very useful in jazz, especially in bebop due to the rapid movement through key centers and the heavy use of chromaticism.
Now to the book itself. I view the omni book as one of the most valuable books of transcriptions out there, even if there are a few mistakes in it. It's one of those books that anyone learning the language of jazz needs to at least look at. It's nice to see that it's in bass clef (as I play bass); my treble clef version (I also play guitar) is well hammered and much loved.
If you are a bass player (or anyone else for that matter with good taste) and want to see/hear a bass player using Parker's vocabulary check out Dario Deidda, start at youtube. (I'm not sure if I'm allowed to say that!)
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