Selasa, 27 Mei 2014

[C443.Ebook] PDF Download Contemporary Logistics (11th Edition), by Paul R. Murphy Jr., A. Michael Knemeyer

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Contemporary Logistics (11th Edition), by Paul R. Murphy Jr., A. Michael Knemeyer

For undergraduate and graduate courses in Logistics.

 

This market-leading text explores modern logistics from a managerial perspective characterized by geopolitical tensions in various parts of the world, steadily increasing trade among countries and across continents, supply chain vulnerabilities caused by severe natural disasters, and an unabated pace of technological advancement. In it, readers see theory come to life through the authors’ timely, practical, thorough, and exciting coverage of the fundamentals of logistics in today’s dynamic global

landscape.

 

The invaluable suggestions of reviewers, adopters, and others—coupled with the expertise of new co-author A. Michael Knemeyer—have been incorporated into this new 11th edition to provide the freshest, most up-to-date insights and perspectives. Included is a new case study plus new examples, references, and discussions throughout. The illustrative tables, figures, and key terms have been revised or updated.

 

This program will provide a better teaching and learning experience—for you and your students. Here’s how:

 

  • Give Students a Solid Foundation in the Basics of Logistics: Students get a solid foundation in the basics of logistics,through the focus on the fundamentals in the book’s succinct and thorough coverage, while still getting coverage of supply chain management issues.
  • Increase Students’ Understanding through Real-Life Examples: Positive real-life examples provided in the books case studies further serve to improve students’ understanding of the concepts.
  • Keep your Course Current with Today’s Pressing Global Issues: Readers are brought up to date on today’s pressing global issues through the authors’ chapter revisions, new examples, current references, and addition of new content throughout.



  • Sales Rank: #35780 in Books
  • Published on: 2014-01-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.10" h x .70" w x 7.90" l, .0 pounds
  • Binding: Hardcover
  • 320 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
I recommend getting the 10th edition
By John Buckner
This is okay. It is expensive compared to its size. It covers the basics of logistics in how it relates to SCM.

This edition is similar to the 10th edition ( at least the first six chapters). A main difference is that the 11th consolidated a chapter (I believe about warehousing) from the 10th edition. I recommend getting the 10th edition, as you can get it for ~$15 at some places, if you are self-studying.
You may be able to get away with using the 10th edition, if you use this text for a class.

5 of 7 people found the following review helpful.
YOU! Yes you. Do not buy this book you'll regret it.
By TK
Normally I don't write reviews, but I'm compelled to share my opinion on this textbook.

This Textbook is definitely not worth its price of $217.36. It's not even worth its rental price. The book has no color whatsoever throughout the book, also like the reviewer below me said it's less than an inch thick, so please to whoever is considering buying this book I strongly recommend you don't buy it new or even used because it's definitely not worth it.

My advice: Find someone who's taken the class and see if you can rent or borrow from them. If that's unsuccessful then rent at the lowest price.

0 of 0 people found the following review helpful.
Five Stars
By Ann
Great, save money came quick

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Minggu, 25 Mei 2014

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Omar Al Mokhtar Lion of the Desert (The Biography of Shaikh Omar Al Mokhtar), by Dr. Ali Muhammad as Salabi

Description from the publisher: The first installment of the series Islamic History in North Africa. This book looks at the Sanussi Movement and its impact on the Libyan revolution against the Italian invasion of Libya. The book is an attempt to describe the life of the leader of this revolution famously known in history books as the lion of the desert Umar al Mukhtar. This is a biography of a man who fought all odds to preserve his culture against a mighty foe. A story of a hero who should be reintroduced into the popular memory of the young Muslims of the world in general and North Africans in particular as a positive role model. With the current political and economical turmoil in Libya this should be a breath of fresh air, it is important the young Muslims of Libya revisit the life and thoughts of this great exemplary to gain confidence and unite the Libyan people into the 21 Century.

  • Sales Rank: #2550536 in Books
  • Published on: 2011
  • Binding: Paperback
  • 264 pages

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Selasa, 20 Mei 2014

[O695.Ebook] Download Ebook Classical and Contemporary Sociological Theory, Text and Readings: Sociology, Sociology, by CTI Reviews

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  • Sales Rank: #2044118 in eBooks
  • Published on: 2016-09-26
  • Released on: 2016-09-26
  • Format: Kindle eBook

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Senin, 19 Mei 2014

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A tale of love, heartbreak, heroism and hope ... and a reminder that, sometimes, it takes destruction for life to correct itself.

David Fuller believes he owes his life to a wounded man who got away with murder. The murder of David’s dangerous mother. Now a writer gaining national attention, David looks back on the critical events that moved his path from dark to light and in doing so, he creates not just a new version of history, but a story so much closer to the truth.

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  • Sales Rank: #1366012 in eBooks
  • Published on: 2015-06-14
  • Released on: 2015-06-14
  • Format: Kindle eBook

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A fantastic Novel by a Fantastic Author
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Jumat, 16 Mei 2014

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Wireless Sensor and Actuator Networks: Technologies, Analysis and Design 1st edition

  • Published on: 1709
  • Binding: Hardcover

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Kamis, 15 Mei 2014

[J203.Ebook] Free Ebook The Stranger, by Albert Camus

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The Stranger, by Albert Camus

Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd." First published in 1946; now in a new translation by Matthew Ward.

  • Sales Rank: #1015 in Books
  • Brand: Vintage
  • Model: 933050
  • Published on: 1989-03-13
  • Released on: 1989-03-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .40" w x 5.10" l,
  • Binding: Paperback
  • 123 pages

Amazon.com Review
The Stranger is not merely one of the most widely read novels of the 20th century, but one of the books likely to outlive it. Written in 1946, Camus's compelling and troubling tale of a disaffected, apparently amoral young man has earned a durable popularity (and remains a staple of U.S. high school literature courses) in part because it reveals so vividly the anxieties of its time. Alienation, the fear of anonymity, spiritual doubt--all could have been given a purely modern inflection in the hands of a lesser talent than Camus, who won the Nobel Prize in 1957 and was noted for his existentialist aesthetic. The remarkable trick of The Stranger, however, is that it's not mired in period philosophy.

The plot is simple. A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. Once he's imprisoned and eventually brought to trial, his crime, it becomes apparent, is not so much the arguably defensible murder he has committed as it is his deficient character. The trial's proceedings are absurd, a parsing of incidental trivialities--that Meursault, for instance, seemed unmoved by his own mother's death and then attended a comic movie the evening after her funeral are two ostensibly damning facts--so that the eventual sentence the jury issues is both ridiculous and inevitable.

Meursault remains a cipher nearly to the story's end--dispassionate, clinical, disengaged from his own emotions. "She wanted to know if I loved her," he says of his girlfriend. "I answered the same way I had the last time, that it didn't mean anything but that I probably didn't." There's a latent ominousness in such observations, a sense that devotion is nothing more than self-delusion. It's undoubtedly true that Meursault exhibits an extreme of resignation; however, his confrontation with "the gentle indifference of the world" remains as compelling as it was when Camus first recounted it. --Ben Guterson

From Library Journal
The new translation of Camus's classic is a cultural event; the translation of Cocteau's diary is a literary event. Both translations are superb, but Ward's will affect a naturalized narrative, while Browner's will strengthen Cocteau's reemerging critical standing. Since 1946 untold thousands of American students have read a broadly interpretative, albeit beautifully crafted British Stranger . Such readers have closed Part I on "door of undoing" and Part II on "howls of execration." Now with the domestications pruned away from the text, students will be as close to the original as another language will allow: "door of unhappiness" and "cries of hate." Browner has no need to "write-over" another translation. With Cocteau's reputation chiefly as a cineaste until recently, he has been read in French or not at all. Further, the essay puts a translator under less pressure to normalize for readers' expectations. Both translations show the current trend to stay closer to the original. Marilyn Gaddis Rose, SUNY at Binghamton
Copyright 1988 Reed Business Information, Inc.

Review
“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and ­devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” –from the Introduction by Peter Dunwoodie

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312 of 341 people found the following review helpful.
An existentialist tour de force of literature
By Daniel Jolley
The Stranger is a haunting, challenging masterpiece of literature. While it is fiction, it actually manages to express the complex concepts and themes of existential philosophy better than the movement's most noted philosophical writings and almost as well as Dostoyevsky's Notes From the Underground. This is a new kind of literature. The story in and of itself is rather simple, but the glimpses into the intellect and feelings of the protagonist are the sources of the magic of this novel. M.Meursault is a normal man in Algiers, France. When we meet him, he is on the way to his mother's funeral, where he says very little, expresses no remorse over her death, and immediately returns home. The next day, he goes swimming, meets Marie, takes her to see a comedy that night, and spends the next few weeks living his normal life and occassionally seeing Marie. He ends up getting indirectly involved in a dispute between his neighbor Raymond and a girl who did him wrong, and the conflict culminates in an encounter on the beach between Raymond, Meursault, and the girl's Arab brother and friend. Raymond is cut with a knife, but the whole episode seems to be resolved. Meursault, though, decides later to take another walk on the beach because he is too worn out to go inside and rejoin his friends, and somewhat inexplicably he ends up killing one of the Arabs. The second half of the novel examines Meursault's thoughts in relation to his trial and sentence; interestingly, he is prosecuted as much if not more for his moral character than for the crime of murder itself.
Basically, Meursault does not care about anything, does not feel anything for anyone (including himself, for the most part). He looks at life objectively and determines that it really doesn't matter whether he does something or not in the overall scheme of things. When Marie expresses her love for him, he tells her he will marry her if it will make her happy but that he cannot say he really loves her. He expresses no remorse for killing the Arab because it just happened; he had no intention of doing it, but the fact is that he did, so there's little point in dwelling on it. He cares about the present and, to a lesser degree, the future, but the past is meaningless for the very reason that it is the past. Meursault sees things as they are; rather than rely on flights of fantasy and imagination (the typical tools of the Romanticists), he deals with facts in the here and now rather than run from them and has no problem admitting the seemingly obvious fact that man is a creature of utter depravity. He rejects religion; since each man must eventually die, what does it matter what he does while on earth. It is a man's hopes and dreams that weigh down his very existence; Marsault can only find happiness by cleansing himself of all such illusory notions.
Needless to say, this is not an uplifting book, but it is an engaging, thought-provoking one. While Camus cannot be called a true existentialist in his own philosophical outlook, his fiction does epitomize many existentialist ideas. Marsault is a protagonist like no other in literature--you cannot like him, he is obviously guilty of killing a man in cold blood, and he is of a cold-hearted nature, yet you do understand some of his thinking, find yourself more and more interested in his dark outlook on life, and have to admit that much of what he believes makes sense.

103 of 109 people found the following review helpful.
Philosophically Deep and Moving Book
By David Swan
When I first started reading `The Stranger' by Albert Camus it seemed rather dull. It's a first person account from a somewhat bland character named Meursault, the titular `Stranger'. While working my way through the book I had to wonder if an alternate translation, `The Outsider', would be more appropriate for `L'Étranger'. Meursault is a Frenchmen living on Algeria but in no way is he a stranger. He has a circle of friends, a job and even a girlfriend. What sets him apart from humanity is his possibly pathological indifference to just about anything whether it be abuse of a dog, abuse of a woman or even the death of his own mother. Not that he engages in abuse it's just that he seems unaffected by the suffering of others. Other descriptions I've read on this book have described Meursault as honest to a fault with this being his downfall. I'm not sure that gives people the correct impression. Meursault's honesty is not the kind where you tell a fat woman she's fat. His downfall is more his inability to feign sorrow, regret or empathy. When his girlfriend asks if he loves her he considers it and answers "no" without any thought that the answer might be painful to hear. About half way through the book, in a bizarre set of circumstances, Meursault ends up killing a man and when asked by the police if he feels regret he says he never looks on the past with regret and in this case feels only vexation. There is no evident malice only utter insensitivity.

Philosophically The Stranger is one of the most intriguing and moving books I have ever read particularly the final act where Meursault confronts the priest who attempts to lead him to the Christian God in the last days before his execution. Despite the perceived indifference he exhibits throughout the book Meursault has a consistent and well defined philosophy of existence. In this moment Meursault disgorges everything he has on the hapless priest and lays bare his soul (so to speak). Knowing that his death is but weeks, days or perhaps hours away, he achieves a moment of clarity seeing his place in the universe, a universe even more indifferent than himself. Camus never absolves him of his crime but in a sense Meursault rises above the simple act of killing a man, above his imprisonment and above life itself. He achieves full acceptance of his existence and place in the universe and in that moment transcends life and God. I`m genuinely saddened that I'm not able to read the final chapter in its original French. If the translation is this good I can hardly imagine how amazing the original must be.

This is the kind of book that one could read and ponder over and over again and I have a feeling I will. There is a considerable amount of symbolism throughout particularly the scorching sun which seems to continually oppress Meursault until he can take it no more. It starts off very slowly and builds throughout. I've never been on trial and certainly never been on death row but Camus gave Meursault an inner dialogue that rang so true it felt more real than any other portrayal I've seen or read. Despite his crime and often callous view of the suffering of others Camus created a character so real and open to the reader that I couldn't help but pity him terribly for his situation but in the end Meursault found peace regardless of the outcome. If you haven't read this book you really should and it's a short read so if you don't find it as profound as I did at least you wont have to endure it for long.

80 of 90 people found the following review helpful.
A powerfully disturbing and bleak novel
By Robert Moore
Although Albert Camus had achieved some fame as a journalist in his native Algiers in the thirties and as a writer for the French resistance during WW II, he first achieved an international critical reputation with the publication of this classic novel in 1946. The portrait of the detached, unfeeling, uncommitted, amoral, perpetually abstracted Meursault is one of the most haunting in 20th century literature. For many, it is the supreme 20th century literary depiction of nihilism. Unquestionably it is one of the premier literary efforts of the century, though Camus managed several other books just as powerful and superb in their own way, in particular THE PLAGUE, THE MYTH OF SISYPHUS, and THE FALL.
Meursault reminds me so much of figures from the paintings of Manet. In painting after painting, Manet depicted individuals alone in crowds, failing or refusing to interact or even acknowledge the others in the frame. In one famous painting, a lower middle class girl sits alone in her own little orb, sitting beside an upper class gentleman, neither acknowledging the existence of the other, both self-contained, seemingly detached from the busy world surrounding them. Behind them, a barmaid drinks a beer, equally oblivious to everyone and everything around her. They might all be on separate desert islands. Manet repeats this in painting after painting. Meursault seems almost as if he had stepped out of one of those paintings. He can at least communicate with others, socialize with them, but he cannot express strong moral sentiments or develop affectionate (as opposed to sexual) attachments.
This is not a happy book. The story deals with Meursault's almost accidental killing of an Arab whose sister had been harmed by one of his acquaintances, but the novel trivializes everything--the killing, his subsequent arrest, his imprisonment, his trial and conviction, and his sentencing. The closest the novel comes to a happy sentiment is near the end when Meursault imagines how much nicer it would be to witness an execution rather than be executed, to have to puke in revulsion than to literally lose one's head to the guillotine.
Camus would never write such a despairing book again. THE PLAGUE the next year would come close, but not close, while THE FALL would seem almost optimistic and upbeat in comparison. But for those who want to find perhaps the quintessential expression of what we like to think of as existentialism, this could stand as the premier literary instance.

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Selasa, 13 Mei 2014

[U730.Ebook] Fee Download The Great Atlas of the Stars, by Serge Brunier

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The Great Atlas of the Stars, by Serge Brunier

It's a beautiful, clear night and you decide to look up, once again, at the thousands and thousands of stars you have seen all your life. Each is anonymous in the vast sweep of the heavens. It's impossible to distinguish one bright star from another, one constellation from the next, without help.

Here it is. The product of 20 years face-to-face with the sky in all latitudes of this blue planet, The Great Atlas of the Stars was created to give the lay-person and amateur astronomer a map of the principal constellations and grand stars seen in the whole Northern Hemisphere. It covers the 30 most important constellations of the 88 visible from Earth.

These 30 constellations are the most rich and beautiful. Here you will find the most brilliant (and pretty) stars and remarkable nebulas and galaxies, that are the most interesting to observe. Each receives a full-page "identity card" which features the known characteristics: distance, luminosity, dimensions. For each of the constellations, 3 to 6 principal stars are shown in detail and located in a map of their sector of the sky.

Opposite the "identity card" page is a magnificent full color photograph of the constellation and its background of starry sky. Between the two is an overlay of clear mylar. Printed on the mylar overlay are the names of the elements of the constellation, and the connections between them.

Lastly, numerous photographs of staggeringly beautiful nebulae and starscapes, retrieved with the latest telescopes and space technology, put the individual constellations in the larger perspective of the night sky.

As authoritative as it is beautiful, The Great Atlas of the Stars will be consulted again and again by students, amateur astronomers, teachers and anyone who wants to know more about the stars.

  • Sales Rank: #5918380 in Books
  • Brand: Brand: Firefly Books
  • Published on: 2001-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 14.25" h x .63" w x 11.25" l, 3.38 pounds
  • Binding: Spiral-bound
  • 112 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Binocular-toting amateur stargazers have a new weapon in constellation recognition with The Great Atlas of the Stars by Serge Brunier (Majestic Universe: Views from Here to Infinity). Brunier features 30 of the 88 constellations visible from earth (focusing on those visible in the northern hemisphere) and offers details about the major stars in each: the luminosity of Cancer's "beehive cluster," for example, or the diameter of Perseus's supergiant star Mirfak. Many of Akira Fujii's gorgeous photographs of the night sky are overlaid with a clear Mylar sheet marked with the names of the constellation's stars and the celestial dot-to-dot of their shapes.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal
Grade 6 Up-Replete with huge, eye-filling star fields, this oversized astronomical atlas will dazzle both beginning sky watchers and young experts. Selecting 30 of the 88 standard constellations, nearly all of which are visible from the Northern Hemisphere, Brunier provides profiles of the major stars, nebulae, and other phenomena. The profiled objects are located and labeled on Mylar overlays-a neat device for quick orientation to the actual sky. Fujii uses unspecified photographic techniques that fill each image with a carpet of colored stars, while making those that form the constellations stand out; the effect is as beautiful as it is useful. Enhanced by simplified diagrams, specific advice for watching and photographing the nighttime sky, and a concluding table of the 290 brightest stars, this volume makes an appealing companion for more comprehensive but less lavishly illustrated guides, such as Michael E. Bakich's Cambridge Guide to the Constellations (Cambridge, 1995). One caveat: floppy covers and a spiral binding make The Great Atlas an unwieldy guide for field use, but then, how many libraries allow their reference books out at night?-John Peters, New York Public Library
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
This atlas by Brunier, editor in chief of Ciel et Espace ("Sky and Space"), is more coffee-table treat than comprehensive reference. Of the 88 constellations, 30 of the more familiar and easily seen are presented. Of these, 25 are visible from the Northern Hemisphere (ten may be viewed from most locations in the Southern Hemisphere as well), and the rest are visible only from south of the Equator. For each constellation, the text briefly describes three to six celestial objects, ranging from those visible to the naked eye to those detectable only by giant infrared or radio telescopes. The data include distance from Earth, diameter or dimensions, and (for stars) luminosity. Each entry is illustrated by astrophotographer Fujii's absolutely stunning photographs. Labeled plastic overlays trace the shape of the constellations, identify prominent stars, and locate the featured objects. The volume includes a short glossary, some tips on observing the skies, and a very brief overview of astrophotography as well. This is a beautiful book, but truly novice observers would benefit from additional background information and advice such as that offered in Terence Dickinson's Nightwatch: A Practical Guide to Viewing the Universe, which covers the Northern Hemisphere only. A much more detailed and comprehensive atlas, such as Wil Tirion's The Cambridge Star Atlas, would be a better first purchase for libraries serving dedicated amateur astronomers. The binding (covered spiral) is not particularly sturdy. An optional purchase for public and academic libraries. Nancy R. Curtis, Univ. of Maine Lib., Orono
Copyright 2002 Reed Business Information, Inc.

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36 of 36 people found the following review helpful.
A beautiful book...
By John Rummel
There must be quite a risk associated with using the adjective "great" in the title of a book when actually describing the book itself. Serge Brunier probably decided he was safe in doing so when Akira Fujii signed on as the photographer for this beautiful constellation atlas. In addition to the breathtaking wide-field shots of Fujii, the book contains numerous images by other amateur and professional astrophotographers. It is the images of Fujii that steal the show, however, along with the expert editorial judgment of Brunier, that make this an unquestionably great book.
I have a fair amateur knowledge of the night sky, but while browsing the Great Atlas, I feel as though I am seeing these constellations for the first time. The layout is so elegant and simple that it tends to hide how thoroughly well-thought-out it really is.
Each two-page spread is made up of three basic elements. 1) On the right is a beautiful 10.5 x 14 inch wide-field constellation shot by the legendary Japanese astrophotographer Fujii. 2) On the left facing page is the constellation name, season for best observing, some history, a schematic showing the major landmarks, and three close-up detail photos of interesting stars or other objects in the vicinity, with brief descriptions. 3) Finally, there is a clear overlay for the wide-field shot with circles and labels, as well as constellation lines. The book is spiral-bound so the whole affair lays perfectly flat on your table top for easy access.
The package creates an irresistible presentation that makes for easy inspection and close examination.
Many of the constellations (e.g., Virgo, Scorpius), have an additional page with an enlargement of the Fujii photo of the previous page, highlighting a particularly interesting region of the photo. The enlargements are primarily the photographs of David Malin (Anglo-Australian Observatory) with higher magnification, though many readers will recognize the work of others as well. Besides Fujii, the astrophotography of such well known amateurs as Jerry Lodriguss, John Gleason, and Bill and Sally Fletcher are also represented. Additionally, professional images from the European Southern Observatory, the National Optical Astronomical Observatories, and the Space Telescope Science Institute are used as well.
The selection of objects highlighted on the left page-panel is a mix of some standard deep sky objects (e.g, M13) and exotic variable, double, or otherwise interesting stars. Most of these objects are easy targets for amateur scopes, but there are a few exotic ones thrown in for good measure as well (e.g, the "pistol star" in Sagittarius).
This text component meshes very well with the photographs. The information included is a perfect compliment to the photography. Not too much but a balance that feels just right. The brief descriptions of these varied objects provides just enough information and visual stimulation that leaves me wanting more. I was prompted in several cases to pull additional references off the shelf and read about several interesting red giant stars, and also added several telescopic double stars to the "must see" list for my next observing session.
I have a few very small quibbles: the Big Dipper is treated as a constellation, some star names are spelled with unusual variants, and throughout, "zeta" is spelled "dzeta." These quibbles are relatively small though, given a book of this value and stature.
Perhaps the best way to explain my feelings about this book is to say it is the visual equivalent to the three-volume Celestial Handbook. What Robert Burnham did with poetry and mythology, Brunier and Fujii do with photography.
All the above verbiage notwithstanding, I simply cannot express to you how beautiful this book really is. It is not expensive. Buy it. Now.
Why are you still reading this? Go.

0 of 0 people found the following review helpful.
A Must for Astronomers and Sky Tourists
By Lawrence Curcio
_The Great Atlas Of The Stars_ is, of course, a beautiful book, grand book, a glorious book. One examines the wide field photographs and wonders if they were taken at zero magnification, only to conclude that they cannot be because they reveal details visible through telescopes alone. Low power scopes come to mind, but there are a few exceptions there as well. I personally concluded that the photographs were taken with a scope I should never be able to afford - one with perfect optics and an f ratio of about 1.2 :-) However Mr. Fujii got them, they are so nice, I sometimes find myself paging through the book on cloudy nights as consolation. I'm not going to tell you that the illustrations are substitutes for the real thing, of course, but there's a hint of the same zip in them.
As an individual addicted to sky tourism (astronomy is a different concept altogether), I find the photographs very orienting. Many of the objects depicted are but faint smudges in an eight inch suburban SCT. To perceive them at all, an amateur has to understand where they are in relation to the stars around them. The contextual presentation of this book puts that information across in a way that mere drawings cannot. Yes, I would rather be instructed by an experienced mentor with a laser pointer, but this is the next best thing.
I cannot help thinking that the material might also be suited to computer software. In such a format, a greater variety of transparent overlays would be available for the photographs, and one could impose various degrees of light pollution on the views to make them better correspond to the more miserable circumstances of the typical amateur. Perhaps such a product would not stand on its own in the bubble gum software market. It would be a worthwhile option for standard planetarium products, though. These products already have photographs of objects. Why not constellations? The software approach also obviates the oversized bookshelf required for storage. (I finally broke down and bought a coffee table.)
The amateur sky tourist/astronomer has many books to choose from, and distressingly many of them are redundant. One learns quickly, therefore, not to waste money on material already in one's library. Let me assure you that if you don't have this book, the material isn't already in your library. The beginner will use it to find things in the sky. The experienced observer will sit over it with mouth and eyes agape.

2 of 2 people found the following review helpful.
Beautiful, useful, clever and highly informative
By Glenn Camhi
This book captures the majesty of many of the heavens' greatest delights in beautiful astrophotography -- and shows you exactly where these objects are using a clever system of maps and transparent overlays. Keep it by your telescope at night to plot out your viewing, or on a cloudy night do your viewing right there on the page. Also great for casual readers/viewers who are simply curious about what's up there.

The transparencies are incredibly useful -- you see photos of the stars as they appear to your eye in the sky, with objects of interest circled and noted to guide you to closer views and detailed information. A smart, simple way to guide you through the night sky. I wish it covered even more objects, but it is reasonably comprehensive.

My only complaint (the reason I gave it 4 rather than 5 stars) is that the spiral-bound pages are not quite thick enough at the binding edge, so after a year or two of use, especially on some dewy nights, some pages started pulling out. (I got a second copy to remain pristine, and use the messy one by the scope.)

Strongly recommended for anyone interested in astronomy, regardless of whether you have access to a telescope. But beware: you'll want access soon!

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Answers to every exercise and step-by-step solutions; also includes all required mathematical diagrams

  • Sales Rank: #1083887 in Books
  • Published on: 2011-07-26
  • Binding: Paperback
  • 432 pages

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0 of 0 people found the following review helpful.
Five Stars
By Tea Drinker
Fast and accurate

0 of 1 people found the following review helpful.
Five Stars
By Doris A.
This is exactly what I needed to help my daughter when she doesn't understand a problem.

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Jumat, 09 Mei 2014

[V731.Ebook] Download The Art of Music Production: The Theory and Practice, by Richard James Burgess

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The Art of Music Production: The Theory and Practice, by Richard James Burgess

The Art of Music Production is the first book to comprehensively analyze and describe the role of the music producer in creating successful music recordings. Now in its fourth edition, it is the definitive guide to the art and business of music production.

Author and producer Richard James Burgess distills this complex field by defining the distinct roles of a music producer.The first part of the book outlines the underlying theory of the art of music production. The second focuses on the job's practical aspects, including training, getting into the business, and--most importantly--the musical, financial, and interpersonal relationships producers have with artists and their labels. The book is packed with insights from successful music producers, ranging from the beginnings of recorded sound to today's chart-toppers and across genre lines. It features many revealing anecdotes, encompassing both the daily and overarching career-related challenges that a producer faces. Burgess addresses the changes in the nature of music production brought about by technology and, in particular, the millennial shift that has occurred with digital recording and distribution. His lifelong experience in the recording industry as a studio musician, artist, composer, producer, manager, and marketer, combined with his extensive academic research in the field, brings a unique breadth and depth of understanding to the topic.

  • Sales Rank: #7647642 in Books
  • Brand: Brand: Oxford University Press
  • Published on: 2013-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.30" h x .90" w x 9.30" l, 1.20 pounds
  • Binding: Hardcover
  • 346 pages
Features
  • Used Book in Good Condition

Review

Praise for previous editions:


"The most comprehensive guide to record production ever published." --BASCA News


"Essential--this book will open your eyes to both possibilities and pitfalls." --BEAT Magazine


"This book takes you through pretty much everything you need to know about the industry. So, a useful guide for anyone voluntarily plunging into this shark infested world." --Mail on Sunday


From the Author
I hope you enjoy the brand new fourth edition. I completely rewrote the book with a lot of additional material, particularly related to the changes in the industry since the third edition in 2004. This edition has full citations, a bibliography and an index, and for the first time, I separated it into two distinct sections: the theory and the practice.  The theory section covers the typologies, or categories of producers, that I have expanded from four to six, and I have renamed them all from the previous editions. I also looked at the categories from several different angles in this section.  The practice section covers all the material in the previous editions and more. I have updated it with more insights from current producers and a wider spread of genres. I addressed additional questions that students have brought up in class over the years.  It is important to note that the book is not a "how to" book that will teach someone how to record music or run a DAW; there are many excellent books that do that. My intention when I wrote the first edition in 1994 was to give a wide ranging perspective on the facets of production that were learned naturally by "growing up" within the studio system, but are not so easy to learn or teach in the classroom. As Hugh Padgham said to me recently, "fifty percent of producing is dealing with people," and, in many cases, that may be an understatement. This is not to lessen the importance of technical knowledge. It is hard for a producer to survive today without being able to run a DAW and take care of all the technical tasks. Nevertheless, schools, manuals, magazines and other books do a good job of teaching those specific, and ever changing skills. The landscape of production has changed dramatically since I wrote the first edition. However, I find it instructive that the most recent crop of successful producers, from all genres, are still dealing with, what appear to be, timeless issues--and insights into these are what I hope I have captured in this fourth edition. 

About the Author

Richard James Burgess is Director of Marketing, Sales and Licensing at Smithsonian Folkways Recordings and also runs his own artist management company, Burgess World Co. He has managed major label artists with top ten chart hits and international touring schedules. As an artist in his own right, he has charted in many countries and has produced gold and platinum albums for artists such as Spandau Ballet, King, Adam Ant, Colonel Abrams, Five Star, Living in a Box, Shriekback, and New Edition.

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7 of 7 people found the following review helpful.
I feel that very few of them go beyond the basic technical workings of a recording studio (knowledge of which does not guarantee
By mikeru223
As someone who has worked in the field of record production for a few decades, I am both appreciative for and impressed with the scope and depth of this book. While there are a variety of books which represent themselves as guides to record production, I feel that very few of them go beyond the basic technical workings of a recording studio (knowledge of which does not guarantee any great insight into production) let alone, scratching the surface of what a record producer truly does. Anyone interested in record production will find at least something useful here- the data and interviews are both incorporated well and relevant to the points Burgess makes, his analysis of various approaches to production is comprehensive and his insights are thought-provoking. 

Due to its all-encompassing nature, one could liken this book to being a Swiss Army knife for record production. Burgess has done a great service to the musical community by illuminating and defining (as well as providing practical commentary for novice producers) this little-understood, seemingly arcane, yet vital role in the creative/ recording process. It's clear that a lot of conscious effort and research went into making this stand apart from other literature on the subject. A terrific effort- thank you and bravo. 

3 of 3 people found the following review helpful.
Fantastic book
By Daniel Hefti
Fantastic book for everyone who want's to produce music. It gives you a great overview about the different ways and types of producing. The author and many more producers share their experience and make your start as a producer much easier.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Great book. It came really fast

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Kamis, 08 Mei 2014

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Contemporary Economic Sociology: Globalisation, Production, Inequality, by Fran Tonkiss

Contemporary Economic Sociology closely examines critical and contemporary issues in the sociology of economic life.

Bringing together a range of theoretical perspectives, Fran Tonkiss examines major shifts in the organization of economy and society - from the politics of globalization to the cultural economy, social exclusion and the 'end' of class. This new volume is organized around three core themes (globalization, production and inequality) and answers the questions:

  • how are transnational processes re-making contemporary economies?
  • can capitalist globalization be governed or resisted?
  • do class relations still shape people’s social identities?
  • how can we think about inequality in national and international contexts?

Key changes in each of these domains raise new challenges for analyzing social and economic relations, power, agency and identity. Setting these changes in a transnational context, this book examines how these issues are being re-shaped in contemporary societies, and explores competing frameworks for understanding such changes. Drawing on arguments from economic sociology, politics and policy studies, political economy and critical geography, the text focuses on both conceptual approaches to the social study of the economy, and trans-national processes of social and economic restructuring.

The arguments provide a critical overview of current concerns for economic sociology, and extend the boundaries of the discipline to a new set of questions. The text is particularly relevant to undergraduate and graduate students and scholars in the fields of economic and political sociology, politics and government, geography, economics and international relations.

  • Sales Rank: #3108429 in Books
  • Published on: 2006-05-27
  • Released on: 2006-04-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .48" w x 8.50" l, .74 pounds
  • Binding: Paperback
  • 196 pages

About the Author

Fran Tonkiss is Lecturer in Sociology at the London School of Economics and Political Science. She is the author of Space, the City and Social Theory (Polity, 2005), the co-author of Market Society (Polity, 2001), and the co-editor of Trust and Civil Society (Macmillan, 2000).

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