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Drawing on previously suppressed sources we learn how a passion to prevent war in 1939 was sabotaged by parliament’s war lobby and corrupt media. Churchill’s War resonates with similar conflicts today as a clique of war-profiteers deceives to profit from war. The freer internet and online book publishing has opened a Pandora’s Box of previously censored records. The outcome now divides society into the media dependent misinformed and the internet savvy well-informed. We now discover how we were duped into believing that belligerent Poland and the tyrannical war-mongering Soviet Union were innocent victims of Nazi aggression. Revealed is the conspiracy to condition a trusting British people into believing war with trade rival Germany was in their best interests. Churchill’s War was to result in 70 – 100 million deaths and incalculable human suffering. World War Two will never appear the same again. Churchill’s War is a well-researched authenticated revelation of war profiteering, press corruption, false flags, and propaganda.

• Sales Rank: #1848172 in Books
• Published on: 2015-08-03
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .19" w x 6.00" l, .37 pounds
• Binding: Paperback
• 80 pages

About the Author
Mike Walsh is a veteran journalist, broadcaster and historian of worldwide reputation. His critics are not defined by culture or ethnicity but by liars of mostly European ethnicity. A fugitive only from leftists, palace scribblers and censors, whom he dismisses as renegade Europeans, he has shrugged off their wrath over 50 years of writing. Mike has quite a pedigree. His Irish-American father, Patrick, by the time he reached 40-years of age, had fought in four conflicts. As a rebel in the Irish peoples guerrilla war against British Army’s Black and Tans. These British Army irregulars, mostly dredged from England’s prisons, were notorious for their anti-Irish viciousness. Patrick also fought in the Irish War of Independence. Mike’s father went on to fight in the most ferocious hand-to-hand battles during the Spanish Civil War. Whilst on the frontlines, he was a close associate and friend of American war correspondent, Ernest Hemingway. Such was his father’s literary merit; he formed a close and enduring friendship with Ireland’s most celebrated playwright, Sean O’Casey. Eventually, but not finally, his father served in the Royal Air Force during World War Two as an aircraft fitter / flier. Mikes mother, Kathleen, from a literary family, and who also mentored Mike’s writing skills, was a corresponding friend of Dolores Ibarruri, Spain's Civil War revolutionary La Pasionaria. A tireless traveler, Mike, from the age of 26, was consumed by a passion for truth and justice. Inevitably, this leads him to discover the potpourri of lies, infamies, cover-ups and crimes by losers who had militarily defeated the Reich. In doing so they ensured the spread of Bolshevism, the dismembering of the British Empire, and surrender to American imperialism. What was the true achievement of the combined British, American and Bolshevik empires? Ultimately, these ‘victors’ hastened the genocide of the European peoples. Through their base treachery they destroyed the one genuine revolution that alone could have ensured the preservation of European culture and values. Their dance of death is on their own funeral pyres. Witness to History is their obituary.

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8 of 8 people found the following review helpful.
Churchill the real monster
By Dan Bauer
As a boy growing up in England, I believed through my school programming that Churchill was a great British hero. This book is a real eye opener containing verified quotes and information that proves Churchill was the real monster. Those behind the curtain that really run Britain and the U.S. are the root cause of all evils and wars.
This book should be used as a basis for understanding history - it will help explain what is happening today.

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• Sales Rank: #12454091 in Books
• Published on: 1973
• Binding: Paperback

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Part of Prentice Hall's Connection: Key Themes in World History series.

 

Written based on the author's annual course on slave trade, Captives as Commodities examines three key themes:  1) the African context surrounding the Atlantic slave trade,  2)  the history of the slave trade itself, and 3) the changing meaning of race and racism.  The author draws recent scholarship to provide students with an understanding of Atlantic slave trade.

• Sales Rank: #600132 in Books
• Published on: 2007-10-27
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .50" w x 5.80" l, .63 pounds
• Binding: Paperback
• 208 pages

From the Back Cover

This book centers on one of the most tragic, horrifying, and important pieces of the history of the Western world: the transatlantic slave trade.  Unlike any other system of commerce in world history, the primary commodities exchanged in the slave trade were people, and this fact has implications not only for how the trade was initiated, conducted, conceptualized, and concluded, but also for how we make sense of it in the present.  For on one hand, the Atlantic slave trade was indeed trade, and as such it bears comparison with and was related to the expansion of a variety of global commercial networks.  On the other hand, unlike other commodities driving cross-cultural exchange in world history, slaves were human, with all this implies about their vulnerability to pain and discomfort, their capacity to resist, their real or potential relationships with sellers and buyers, and--most fundamentally to those sellers and buyers--their labor power.  Understanding the Atlantic slave trade thus requires studying economic and political history, dealing largely with those who bought and sold slaves, as well as the social and cultural history of slavers, the enslaved, and the societies they lived in and built. 

About the Author
Lisa A. Lindsay holds a Ph.D. in African history from University of Michigan and teaches at the University of North Carolina at Chapel Hill.  Before developing her scholarship on the slave trade, she published Working with Gender: Wage Labor and Social Change in Southwestern Nigeria, Men and Masculinities in Modern Africa (co-edited with Stephen F. Miescher), and scholarly articles on colonial Nigeria.  She has held fellowships from the American Council of Learned Socities, the National Humanities Center, and the National Endowment for the Humanities.

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1 of 4 people found the following review helpful.
great value
By lynn
it was a great price for the product. my daughter needed it for college .the saving was great ,it helps with everthing else is so expensive to purchase for for her.

1 of 7 people found the following review helpful.
The Transatlantic Slave Trade Book, " Captives as Commodites."
By Daniel T
This book was in a good shape to read. The book is extremely recognizable to read and understand.

Thanks.
Daniel T

2 of 15 people found the following review helpful.
Arab Slavery?
By Tyler
Sources like this are crucial, but I find the fact that the Arab slave trade was larger and more lethal doesn't get enough mention. I think people across the world would do well to realize that the West has reformed from their lesser crimes more than the Arab world has for their greater ones.

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“What Milton had that Collier hasn't is a sense of sin, and the overwhelming power and beauty of divine order. What Collier has that Milton hadn't is a sense of humor and a delight in the variety of chaos.” (Time 1973)
British-born author and screenplay writer, John Collier, retells Milton's Paradise Lost with his incomparable flare for imagery and a vision of the story as it might be seen on film. Although his script reads like a book, we can picture it all – satan flying through space, monstrous fiends, other worlds, devils and angels. John Collier was intrigued by the possibility of turning Paradise Lost into a film for years and his screenplay contains the basic blueprint for Milton's story as well as new food for thought. Monstrously delicious and impeccably structured, a fascinating journey of a read.

• Sales Rank: #2210840 in eBooks
• Published on: 2013-01-15
• Released on: 2013-01-15
• Format: Kindle eBook

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7 of 13 people found the following review helpful.
A Hideous Ruin that Should Have Been Combusted!
By Tam Mossman
When publishers give a successful author a two- or three-book contract, it may sound like a fine idea. The publisher gains a lock on the writer's future manuscripts. The author's agent is delighted with the extra advance $$$. A win-win situation, right?

Not always! All too often, authors run out of creative steam, or their supportive editor leaves for another house. Rather than break their three-book contract, they fulfill the contract by submitting a piece of drivel, which--again all too often--the editor wearily accepts as part of the "divorce settlement." Which may explain why this unreadable mess got published.

John Collier has written "Fancies and Goodnights" and "His Monkey Wife" (both novels with solid 4-star-plus reviews on Amazon), along with an anthology of his writing. But this offering has no other reviews, which is usually a warning sign to readers. (For example, look at Amazon's listing for Kitty Dukakis' "Now You Know.")

Collier subtitles his effort "A Screenplay for the Mind," but totally ignores standard screenplay format. His opening sequence describes the fall of rebel angels from heaven as a comet that "transforms" itself in close-up into a series of bubbles filled with screaming faces. He replaces Milton's majestic verse with prose that's startling lackluster,along with gruesome descriptions that ramble on like the Marquis de Sade on mescaline. Though he sticks slavishly to Milton's outline, he erases Milton's eloquence at every turn.

As a final clue of the publisher's flop sweat, each page is adorned with a decorative border--the sure sign of a book designer painting rouge on the cheeks of a corpse.

A far better adaptation (and one that would work beautfully as a stage production) is Jean-Pierre Aubaine's "Paradise Lost in Four Acts" on Kindle. The transcript of a lost 17th- or 18th-century stage version that compared Satan with Oliver Cromwell and God with King Charles I. It features new characters like Cain and Abel, and endows Milton's demons and angels with recognizable personalities. It's a tragedy in the classic sense--and all in fluent iambic pentameter!

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In August 1917, at the height of the First World War, a small biplane landed on the makeshift flight deck of HMS Furious - the first ever carrier landing in aviation history. This small act ushered in a new era. Two decades later, when Britain stood on the brink of another World War, the Royal Navy had a small fleet of aircraft carriers, with several more nearing completion. When war came the newly-formed Fleet Air Arm would demonstrate that what it lacked in modern equipment, it made up for in skill and daring.

The first of these carriers were converted from existing ships. Then in 1938 HMS Ark Royal was launched - Britain's first purpose built carrier. Its design set the standard for what was to come. The "Ark" was followed by the highly successful Illustrious Class, and then by others whose design was modified in the light of wartime experience. British fleet carriers had steel flight decks, and although smaller and able to carry less aircraft that the carriers seen in the Pacific, they were better suited to conditions in European waters. It also meant they were more resilient, and could shrug off damage that would cripple their American counterparts.

Over the next six years these British aircraft carriers would launch attacks against a major Italian naval base, attack the Italian battle fleet on the high seas, and cripple the Bismarck, so that the battleships of the Home Fleet could overtake her. They would also see service in every theatre of war, including the Pacific. Inevitably, their success came at a price. Courageous, Eagle and Ark Royal were torpedoed by U-Boats, Glorious was sunk by the guns of a German battlecruiser, and Hermes was lost to Japanese bombs. Most of the rest of the carrier fleet were damaged to some extent during their service lives, but they survived and kept on fighting.

This New Vanguard title tells the story of these remarkable warships, and reveals the secrets of their design, how they operated, and above all, what they achieved.

• Sales Rank: #1317794 in Books
• Published on: 2010-07-20
• Released on: 2010-07-20
• Original language: English
• Number of items: 1
• Dimensions: 9.91" h x .13" w x 7.20" l, .37 pounds
• Binding: Paperback
• 48 pages

Review

“This excellent survey of the craft's capabilities is a must for any in-depth military, aircraft or World War II collection!” ―The Midwest Book Review (October 2010)

“An excellent book on a most interesting subject and one that I am positive you will find to be of interest. One that will be pulled from the shelves time after time and one I can highly recommend to you.” ―Scott Van Aken, Modeling Madness

About the Author

Angus Konstam is an acclaimed military and naval historian, and one of Osprey's most experienced and respected authors, with over 35 titles in print. These Osprey titles include British Battlecruisers 1939-45, British Motor Torpedo Boats 1939-45, and the forthcoming two-volume study; British Battleships 1939-45, all of which form part of the New Vanguard list. Other titles include Spanish Armada 1588, Pirates, British Forts in the Age of Arthur and Piracy: The Complete History. He has also written over two dozen larger books for other publishers.

A former naval officer, underwater archaeologist and maritime museum curator, Angus has a long and passionate love affair with the sea, maritime history and warships. He makes regular television and radio appearances, and has held events at the Edinburgh International Book Festival. Angus is now a full-time writer and historian, as well as being a board member of the Society of Authors, and Publishing Scotland. He currently lives in Edinburgh.

For more details visit the author's website at www.anguskonstam.com The author lives in Edinburgh, Scotland.

Most helpful customer reviews

3 of 3 people found the following review helpful.
British WWII Carriers
By Stone Dog
This New Vanguard #168 is a good overview of British carriers that participated in WWII. Author Angus Konstam provides a fairly good chronicle of British carriers as they evolved and were employed in WWII.

The author begins the story in WWI when the Royal Navy led the way in naval aviation. The earliest carriers were battleships or cruisers with makeshift decks above the forward turrets and, sometimes, the aft turrets. After experience showed these hybrids to be dangerous, they altered hulls to make the first "true" carriers with a flight deck that was the length of the craft.

Konstam then delves into the interwar period in which warship design was constrained by naval treaties. Even as the US Navy converted two battlecruiser hulls into the Lexington and Saratoga and the Japanese converted a hull into Akagi, the British converted existing hulls into carriers. As war clouds darkened in Europe, the Royal Navy planned purpose built ships that became the Illustrious class carriers. All weapons design is a tradeoff in attributes and this new class carriers would trade capacity in terms of number of aircraft for armored protection. In this era, the Royal Navy made the decision that instead of carrying enough fighters to protect their carrier, they would simply button up and depend solely on AA guns and the ships' own armor to defeat an enemy attack.

Although the British carriers were certainly better protected than their American or Japanese counterparts, they could carry far fewer aircraft. The Illustrious class was restricted to only 36 aircraft (not including a deck park) while American and Japanese carriers could carry 70-100. The author delves into British designs for ships planned during the war, but finished after hostilities ceased. I would point out that this book does not cover escort carriers for the simple reason that they were not British - the RN employed American escort carriers provided under Lend Lease and would not apply to this book.

I think the author covers a lot of ground quite well if you consider that this type book can only serve as an overview. I would have liked the author to mention aircraft since the RN had only obsolete or unsuitable types and had to rely on American Lend Lease Avengers, Wildcats, Hellcats and Corsairs for the majority of their carrier aircraft by the end of the war.

This book does a decent job of introducing the reader to WWII Royal Navy carriers and I recommend it to those interested with four stars.

2 of 2 people found the following review helpful.
Good BRIEF history of British aircraft carriers.
By J. C. Bednar
This a very good and BRIEF history of WWII era British aircraft carriers. Booklet is about 48 pages long and enough information about each aircraft carrier covered. The first section of booklet describes the advent of carrier-based aircraft, developments, tactics, ships, etc. are discussed. The various classes of FLEET carriers that participated in the war are also described, as well as their plus & minus.

There are color plates of various ships, and plenty of black & white photos - at least 1 photo per each carrier described.

Operational histories and final outcome of each carrier that saw action in the war is given as well.

Overall, a very good booklet. It is what I wanted and expected - a BRIEF history of British carriers. Excellent resource for modelers. Ordered via Amazon and everything arrived in great condition and a few days before expected.

14 of 20 people found the following review helpful.
British Aircraft Carriers 1939-1945
By Michael E. Stiles
A little disappointed in content...or perhaps I should say, lack of content. Good book for fleet carriers and light fleet carriers, but their was no information concerning escort, assault, or strike carriers. The name of the book is British Aircraft Carriers...not British Fleet Carriers, so I believe the lack of any data concerning the escort, assault, and strike carriers makes the title misleading. Yet, it could have been so easy to correct such an oversight if only Osprey had knowledgable editors.

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